Fresco Gallery presents Nigerian contemporary printmaker, Tosin Oyeniyi, four others in exhibition

Foremost Nigerian printmaker and contemporary African visual artist, Tosin Oyeniyi, and four others, features in the renowned Fresco World art show and exhibition, which held in Lagos.

Giving credence to their dextrousness, the 21-day showcase of print-making prowess by Nigerian artists, which was organised by the curator and founder of Fresco Gallery, Ima Ekpo, featured art exhibition, open studio, as well as a curator walkthrough engagement with print stencils, blocks, linocut, screenprint, drypoint techniques and a display of many artworks for exploration.

Speaking with our correspondent, one of the featured artists, Tosin Oyeniyi, a graduate of Education and Fine Arts, from the Obafemi Awolowo University, Ile-Ife, who identifies as a printmaker, expressed his delight on his selection as one of the artists, whose works featured in the exhibition.

‭Describing his art and the importance of his mesmerising linocut ‘expressions’, culturally , Tosin said: “My two artworks shown — ‘Home Coming’ and ‘Elders of the Land’, are from my recent collection I that have sat in front of, marveled at and savoured. While I’m glad to have captured the comfort they’ve brought me, I hope you also get a taste of their vastness. The mythical theme, engraved lines, unique technique and the color choices I use seek to emulate how otherworldly they seem in today’s modern society.

“Conclusively, my visit to the exhibition was a fulfilling adventure, and it was a journey that left an indelible impression on my mind.”

He described the exhibition as a fusion of an aesthetically-pleasing experience, and an intellectually stimulating one.

According to him, “It was a testament to the power of art in stimulating dialogue, promoting critical thinking, and challenging societal norms. It was a reminder that art is not just for the eyes, but also for the mind and soul.

“The exhibits were a diverse mix, ranging from contemporary art to traditional pieces. Each artwork told a story, expressed an emotion, or presented a unique perspective. The contemporary pieces challenged conventional norms, pushing the boundaries of interpretation. The traditional art, on the other hand, offered a glimpse into our rich cultural heritage.

“The atmosphere was an amalgamation of excitement and intellectual curiosity. The gallery was abuzz with art enthusiasts, collectors, and curious onlookers, each absorbed in their exploration of the exhibits. The soft lighting and the thoughtful arrangement of the artwork fostered a serene environment that encouraged introspection and appreciation.

“Sightseeing co-printmakers art rendition at the exhibition was both enjoyable and informative. It broadened my perspective and enriched my art knowledge.”

While imploring people to endeavour to visit the exhibition which is billed for October 29 to November 19, he noted that “a visit to an exhibition can be a riveting experience, providing a kaleidoscope of culture, knowledge, and innovation”.

Tosin’s linocut projects have been exhibited nationally and in diaspora. Also, his works have been acquired by many private collectors in America, Europe, Asia, and other continents of the globe.

Together with Tosin Oyeniyi at the show are Nneka Chima, Yadichinma Ukoha-Kalu, Nkem Okwechime and Wanger Ayu.