With Timothy Fasuyi’s Passing, Closes a Chapter in Nigeria’s Art History 

Yinka Olatunbosun

A solemn turn of events on January 27 witnessed the departure of yet another Nigeria College of Arts and Science (now known as Ahmadu Bello University, Zaria) alumnus, Timothy Adebanjo Fasuyi. A revered figure in Nigerian art and an esteemed educator, Fasuyi’s multifaceted journey encompassed artistry, teaching, sculpting, and an impactful tenure as a federal art advisor, who succeeded the late celebrated artist Ben Enwonwu in 1969.

Fasuyi’s contributions to the Nigerian cultural landscape extended beyond his primary pursuits. He played an instrumental role in establishing Nigeria’s first-ever cultural centre, TAFAS Cultural Centre in Ikeja, Lagos. Moreover, his unwavering dedication helped foster the growth and enrichment of art and culture throughout Nigeria.

Born in April 1935 in Ilesha, Osun State, he began his artistic journey by earning his initial fiploma in Fine Arts from the Nigerian College of Arts, Science & Technology, now known as Ahmadu Bello University, specialising in the realm of painting. Subsequently, he obtained his second diploma in art education from the University of Alabama, Birmingham, in the United States. For his further studies, he pursued a course in art education at the University of Sydney in Australia in 1971.

Beyond his exceptional artistic talents, Fasuyi ventured into the realm of education. Starting in 1960, he embarked on a teaching career and served as an art education officer at King’s College in Lagos. He also co-founded the Society of Nigerian Artists, solidifying his place among the nation’s cultural vanguards.

Throughout his illustrious career, Pa Timothy Fasuyi participated in numerous group exhibitions that showcased his artistic prowess. Notable among these include the “Inaugural Exhibition of the Society of Nigerian Artists” held at the Exhibition Centre in Lagos in 1964, the “Contemporary Nigerian Art: Exhibition for Ori-Olokun Opening” at the Ori-Olokun Cultural Centre in Ile-Ife in 1968, and the “Contemporary Nigerian Art” showcased at the Commonwealth Institute Art Gallery in London during the same year. Other significant exhibitions include “Contemporary Nigerian Prints and Paintings” at the Fourth Ife Festival of the Arts in 1971 and “Offerings from the Gods” hosted at the National Theatre in Lagos in June-July 1985. Additionally, the “Silver Jubilee National Art Exhibition” held at the National Theatre in Lagos, the Federal University of Technology in Owerri, and Lugard Hall in Kaduna in 1985 prominently featured his remarkable artworks.

 Fasuyi’s impact extended beyond the realm of visual arts; he was also a prolific writer. His notable work, Cultural Policy in Nigeria, published in 1973, exemplifies his insight and profound understanding of Nigeria’s cultural domain. Moreover, his contributions were acknowledged and celebrated, with him receiving the Australian Commonwealth Scholarship in 1971 and being named a Fellow of the esteemed Asele Institute in Nimo in 1985.

In a heartfelt tribute to honour his revered father, Wale Fasuyi, a former investment banker, christened the art gallery in GRA Ikeja as Tim & Carol. This gesture serves as a testament to Pa Timothy Fasuyi’s enduring legacy in Nigerian art and commemorates the invaluable impact he made throughout his lifetime.

Indeed, his artistic journey was a testament to his unwavering passion and dedication. He pushed boundaries, challenged norms, and carved his own path in the Nigerian art scene. His artistic style was marked by a unique blend of traditional Nigerian aesthetics and contemporary influences, leaving an indelible mark on the art world.

His impact extended far beyond his own creations. As an art educator, he played a pivotal role in shaping the next generation of Nigerian artists. His profound understanding of art and his ability to inspire and nurture talent made him a beloved figure among his students. His tenure as a teacher at King’s College in Lagos allowed him to ignite a spark in many young minds, instilling in them a lifelong love for artistic expression.